Mario Henrique...

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Laura Henwick Partner curated
Inspirations from LauraView all Space
  1. Somnium No. 6 (diptych), Series IV
  2. Apparentia No. 3, Series II
  3. Materia No. 2, Series II
  4. Somnium No. 7, Series III

Somnium No. 6 (diptych), Series IV

Mario Henrique 39H X 78W
$7,500.00

I try to be fast and spontaneous when I’m painting - that process should be reflected in the final piece. The observer should be able to infer the physicality of the painting process, when looking at the brush strokes and paint drippings.
When I throw paint, I can do it with some premeditation - but I can never really predict where the paint will actually fall on the canvas. So, my approach to painting is - in part - based on chance, on small random accidents - it doesn’t rely exclusively on my persistence or my technique.
That’s why I don’t feel completely responsible for my paintings - in the sense that, although I can answer for my initial intentions, the final result is always something that I could never anticipate, and something that’s out of my absolute control.
- Mario Henrique
=======
A diptych made out of 2 square canvases, created with Sennelier Oils and Amsterdam Acrylics. Stretched and ready to hang. Ships in a wooden box, with a signed Authenticity Certificate.

Gold Leaf Wood Canvas Floater Collection
This picture frame’s antiqued gold leaf finish is ideal for highlighting your paintings without overwhelming them. It features an extra deep rabbet for up to a 1 5/8” canvas that will float – suspended and separated from the frame for a sophisticated gallery presentation. Includes brackets and screws for attaching canvas to moulding, plus wire and heavy-duty D-rings for easy hanging. Tip: Stretched canvas can warp slightly, so measure dimensions at the corners for accurate sizing. Made by Artisans from natural wood.
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Apparentia No. 3, Series II

Mario Henrique 59H X 59W
$8,500.00

I try to be fast and spontaneous when I’m painting - that process should be reflected in the final piece. The observer should be able to infer the physicality of the painting process, when looking at the brush strokes and paint drippings. When I throw paint, I can do it with some premeditation - but I can never really predict where the paint will actually fall on the canvas. So, my approach to painting is - in part - based on chance, on small random accidents - it doesn’t rely exclusively on my persistence or my technique. That’s why I don’t feel completely responsible for my paintings - in the sense that, although I can answer for my initial intentions, the final result is always something that I could never anticipate, and something that’s out of my absolute control. - Mario Henrique ======= Made with acrylic and oil on a reversed canvas. Stretched and ready to hang. Ships in a wooden box, with a signed Authenticity Certificate.

Gold Leaf Wood Canvas Floater Collection
This picture frame’s antiqued gold leaf finish is ideal for highlighting your paintings without overwhelming them. It features an extra deep rabbet for up to a 1 5/8” canvas that will float – suspended and separated from the frame for a sophisticated gallery presentation. Includes brackets and screws for attaching canvas to moulding, plus wire and heavy-duty D-rings for easy hanging. Tip: Stretched canvas can warp slightly, so measure dimensions at the corners for accurate sizing. Made by Artisans from natural wood.
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MultiWishlist

Materia No. 2, Series II

Mario Henrique 59H X 47W
$6,500.00

I try to be fast and spontaneous when I’m painting - that process should be reflected in the final piece. The observer should be able to infer the physicality of the painting process, when looking at the brush strokes and paint drippings.
When I throw paint, I can do it with some premeditation - but I can never really predict where the paint will actually fall on the canvas. So, my approach to painting is - in part - based on chance, on small random accidents - it doesn’t rely exclusively on my persistence or my technique.
That’s why I don’t feel completely responsible for my paintings - in the sense that, although I can answer for my initial intentions, the final result is always something that I could never anticipate, and something that’s out of my absolute control.
- Mario Henrique
=======
Made with acrylic and oil on a reversed canvas. Stretched and ready to hang. Ships in a wooden box, with a signed Authenticity Certificate.

Gold Leaf Wood Canvas Floater Collection
This picture frame’s antiqued gold leaf finish is ideal for highlighting your paintings without overwhelming them. It features an extra deep rabbet for up to a 1 5/8” canvas that will float – suspended and separated from the frame for a sophisticated gallery presentation. Includes brackets and screws for attaching canvas to moulding, plus wire and heavy-duty D-rings for easy hanging. Tip: Stretched canvas can warp slightly, so measure dimensions at the corners for accurate sizing. Made by Artisans from natural wood.
Expand
MultiWishlist

Somnium No. 7, Series III

Mario Henrique 59H X 47W
$6,500.00

I try to be fast and spontaneous when I’m painting - that process should be reflected in the final piece. The observer should be able to infer the physicality of the painting process, when looking at the brush strokes and paint drippings.
When I throw paint, I can do it with some premeditation - but I can never really predict where the paint will actually fall on the canvas. So, my approach to painting is - in part - based on chance, on small random accidents - it doesn’t rely exclusively on my persistence or my technique.
That’s why I don’t feel completely responsible for my paintings - in the sense that, although I can answer for my initial intentions, the final result is always something that I could never anticipate, and something that’s out of my absolute control.
- Mario Henrique
=======
Made with acrylic and oil on a reversed canvas. Stretched and ready to hang. Ships in a wooden box, with a signed Authenticity Certificate.

Gold Leaf Wood Canvas Floater Collection
This picture frame’s antiqued gold leaf finish is ideal for highlighting your paintings without overwhelming them. It features an extra deep rabbet for up to a 1 5/8” canvas that will float – suspended and separated from the frame for a sophisticated gallery presentation. Includes brackets and screws for attaching canvas to moulding, plus wire and heavy-duty D-rings for easy hanging. Tip: Stretched canvas can warp slightly, so measure dimensions at the corners for accurate sizing. Made by Artisans from natural wood.
Expand
MultiWishlist

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